By Paul R. Pillar




Kai Bird, The Good Spy: The Life and Death of Robert Ames (New York: Crown, 2014), 448 pp., $26.00.


THE SECRET WORLD OF CLANDESTINE OPERATORS and the more public world of statesmen intersect in a number of ways. The gathering of useful information through espionage is well known, but the clandestine operator can also help take action and not just inform it. Sometimes what he or she does is given a formal structure and called covert action. At other times the help is less formal, such as making contacts and opening channels of communication that the statesman cannot, for one reason or another, embrace openly or directly. An inspired and skillful operator can make important things happen.


What the operator can accomplish, however, is ultimately limited by the political constraints that apply to the statesmen for whom he or she works. Inspiration and skill can open promising avenues, but the constraints may keep them from being fully explored. The clandestine operator, exposed to dangers that typify the spy world when the action is hottest and the opportunities greatest, is as likely to experience tragedy as triumph.


Of course, the intrigue and danger of that world have provided material for an entire genre of fiction. David Ignatius launched a successful second career as a writer of spy novels with Agents of Innocence, which is based on events in the Middle East he had covered as a journalist. Set mostly in Beirut in the 1970s, the story involves American intelligence officers trying to swim through a cauldron of conflict involving Israelis, Palestinians and other Arabs. Although this novel was a roman à clef, Ignatius could take the fiction writer’s prerogative of bending the story in his preferred directions.


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Source: nationalinterest.org






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